Zero Style Budō


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A bear carving of 1947

The last class with Hatsumi Sensei was so intense that I dreamt of it all night long. In my dreams, what he showed and taught made more sense, I will do my best to explain now what I got out of it.

To control the space with mutō dori, you have to be zero.
To be zero, you have to be one.
To be one, you have to be complete.
To be complete, you have to be sanshin (3).
To be sanshin, you have to know your basics.
To know your basics, you have to enter the dōjō.

When we begin our training, we are formless. We have expectations and no knowledge. The teacher shows the basics, and with practice, we are starting to move in the appropriate form. Then we have to acquire the basics of the Tenchijin.
When we begin to understand the simple complexity of the Tenchijin we are three. This is the sanshin of the Ten, the Chi, and the Jin. There is no unity yet in our movements, and our taijutsu looks like robotic movements. With time, the differentiation of the three parts of the Tenchijin vanishes, and we start having a more unified way of moving.
When this process is complete, we can enter the world if the Ryûha and to study the weapons. After some time, we mix the Waza, the Buki, the basics, and a nice body flow emerges. We are complete.
But the hard work doesn’t stop here, as it is only the beginning. Give it a little more time, and you become “one”. Only when this state of “being one” is achieved, that you can start the long path of becoming “zero”.

It is a long process because you have to get rid of everything you have learned to be “zero”. Sensei said that “there are no techniques”. What I understood is that at this level, techniques are useless, you have to forget them. And you can do that only because you spent at least twenty years learning them (1). Again, you can only forget something you have learned.

Gradually, you can become zero and ride on uke’s intentions. Because you have no expectations, because you do not try to win, you are in control of the space. Uke’s attacks originate from the same point in space that you can now clearly see. Controlling this point defeats uke. Sensei said that whether attacks using taijutsu or weapons, there is a common point, and it is always the same. As you fill the space of battle, you can see this point. Control it, and things are easy. Sensei insisted twice on the importance of Kokyû, respiration. (2) He said that if you are out of breath at the end of the exchange, it is because you are still trying to do something. But you don’t have it.

When you are finally capable to ride uke’s attacks, to dodge them, and still be relaxed, it is the proof that you are zero.

Once again here is the path to follow:
Learn and study the basics,
Learn and study the Tenchijin,
Become three.
Learn and study the Ryûha and the weapons,
Become One.
Unlearn and forget everything,
Be Zero and control the space.

“Zero is not empty. There’s a point in the middle”, Hatsumi sensei, July 2016.

________________
1. I write “twenty years” here, but it might be thirty. In just beginning to grab it after more than thirty years in the Bujinkan. But I guess some are more gifted than me. On the other hand, if you have been training less than twenty years, and have achieved a high rank in the Bujinkan, I am confident that this will require some more years of training. Rank doesn’t mean competence.
2. 呼吸/Kokyû /breath; respiration|knack; trick; secret (of doing something)

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2 thoughts on “Zero Style Budō

  1. Lessons from the astral-plane, very interesting. Seems like this visit to Japan has been pretty intense for you. Thanks for sharing this personal experience!🙂

    Like

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